Michaela Eichwald » ab 2008 CV

ab 2008 CV

Looking Back: The White Columns Annual, selected by Jay Sanders, New York

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Montgomery, Berlin (Jugendbilder)

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STARSHIP - Various Sketches for Leaving the Room, rauchsalon Wien

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STARSHIP various sketches for leaving the room LUDLOW 38 New York

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Projektion, European Kunsthalle c/o Ebertplatz #1, Köln

Kritik von Georg Imdahl, Kölner Stadtanzeiger
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Organisation Todt. In: Starship Nr. 11

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egypted, WUK Wien. Curated by Will Benedict with Ei Arakawa, Richard Artschwager, Nadja Athanassowa, Thomas Bayrle, Henning Bohl, Wolfgang Breuer, Claude Cahun, Annette Kelm, Mark Leckey, Anita Leisz, Nora Schultz, Lucie Stahl, Alivia Zivich

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AURORA, Teil 2, Berlin. Curated by Olga Lewicka und Roseline Rannoch. Mit Aleksander Cigale, Friederike Clever, Stephan Dillemuth, Annette Frick, Wilhelm Hein, Tomasz Kozak, Doris Lasch & Ursula Ponn, Olga Lewicka, Sylwia Ludas, Wojciech Lawnicki, Bernadette Mittrup, Roberto Moreira Jr., Julia Pfeiffer, Roseline Rannoch, Przemyslaw Sanecki, Markus Selg, Astrid Sourkova

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Ergriffenes Dasein, Artist, Writer, Mentalist. Reena Spaulings, New York

Pressetext Fo tos

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no drink no talk just beautiful, 1998

Zuordnungsprobleme. Galerie Johann König, Berlin. Mit Markus Amm Will Benedict Henning Bohl Tim Braden Wolfgang Breuer Mathias Faldbakken Morgan Fisher Carsten Fock Poul Gernes Wade Guyton Mary Heilmann Thilo Heinzmann Gregor Hildebrandt Nathan Hylden Meuser Steven Prina Anselm Reyle Pietro Roccasalva Thomas Scheibitz Jim Shaw Andreas Slominski Katja Strunz Johannes Wohnseifer Alexander Wolff Amelie von Wulffen Heimo Zobernig

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Legende. Curated by Alexis Vaillant. With Shannon Bool Matthias Bitzer Brian Calvin Anne Collier Aurélien Froment Jason Fox Ellen Gronemeyer Giuseppe Gabbelone Benedikt Hipp Roger Hiorns Karl Holmqvist Dorota Jurczak Skafte Kuhn Armin Kramer Chris Lipomi Fabian Marti Jason Meadows Melvin Moti Carter Mull David Musgrave Mrzyk & Moriceau Phillip Newcombe Olivia Plender Gedi Sibony Matthew Smith Tomoaki Suzuki Karin Ruggaber Naoyuki Tsuji Erika Verzutti Pae White

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Bar Ornella NR 33 DONNERSTAG 17. APRIL 2008 PETER ABS, HELLA GERLACH, MARGARETE JAKSCHIK, MICHAEL KERKMANN, MANUELA LEINHOß, PETER LOBER, BERNADETTE MITTRUP, NIE PASTILLE, JULIA PFEIFFER, MICHAIL PIRGELIS, ROSELINE RANNOCH, GERDA SCHEEPERS, STEPHANIE STEIN, SARAH SZCZESNY

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Vertrautes Terrain. Aktuelle Kunst in/über Deutschland. ZKM Karlsruhe

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“Written on spiders” “Seinesgleichen geschieht/The like of it now happens” Simone Gilges, Judith Hopf, Daniel Pflumm, Bless , Nils Norman, Stephan Dillemuth, Christoph Schäfer, Nina Rhode, Sebastian Lütgert, Henrik Olesen, 4000, Can Altay, Gunter Reski, Klaus Weber, Deborah Schamoni, Ariane Müller, Martin Ebner, Hans-Christian Dany at SILVERMAN, San Francisco

2009

“ho is no substitute for anything”, Ausstellungsreihe von Chiara Minchio und Lisa Holzer, Wien

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Bulletinboard Blvd. Posters bei Pro Choice, Vienna. Lucie Stahl und Will Benedict.

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Total Awareness Of All Dimensions
(Dimensions Variable)

Neuer Aachener Kunstverein.

Stefanie Kleefeld Texte zur Kunst, Juni 2009

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Caribic Residency, Frankfurt.

Eingeladen von Jasmin Matthies und Dave Carbone.

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THE CLASSICAL, Vilma Gold, London (September/Oktober)

TEXT

gültig

flashart 11/09

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Precarious Form I / Prekäre Skulpturen. Galerie Meyer Kainer, Wien.

Eröffnung 8.9.09 Pressetext

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2010
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Michaela Eichwald
at After the Butcher, Berlin
march 6th – april 17th, 2010
POFALLA, willst du mir jetzt komplett den Garaus machen?

There is something satisfying about looking at Berlin based artist Michaela Eichwald’s work presented in a solo-show at After the Butcher, space for art and social questions run by artist Thomas Kilpper. It’s as if Eichwald did a synthesizing job, fusing together heterogeneous elements in one big frieze while at the same time leaving a generous amount of openness and randomness to the piece. Titled „POFALLA, do you wanna cook my goose now?“, the horizontally stretched out paper frieze embraces two thirds of the exhibition space and is the result of eight days of laying out material, choosing and painting on site. As a finished product, it continues to make the visitor feel included in the process of ‚handling material’, be it Mr. Pofalla, head of the Federal Chancellery of Germany, or text referring to Mike Kelley.

With a background in philosophy, writing and visual production go hand in hand in Eichwald’s practice. Texts by the artist or quotations by other authors are combined with (film) posters, illustrations of works by artists friends or wrapping paper from an ice-cream store. Paint and gloss varnish are applied on and around this personal collection in an abstract, gestural way, liquidly running down the paper in some parts, in others applied in a thicker consistency, forming a framing matrix of matter. Beyond reflecting the special syntax of painting, the fries works like an index for the connectivity between sensual and intellectual activity in general and advocates subjective practice.

Judith Raum

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Pofalla in Wien (AT)

Foto: PC